charnwoodstoves

Be kind to one another, tenderhearted, forgiving one another as God in Christ forgave you. Ephesians 4:32

We’ve all stood on that crowded train or tube, with everyone packed like tight sardines, each of us trying to catch a breath and doing our best to ignore the people we are pressed against. In these experiences, what if we allowed that person next to us a little room to hold onto a hand rest, or proffered a smile? Those small acts of kindness might create a change not just to that moment but to our whole sense of the world around us. These moments rarely happen in such spaces, but as Maya Angelou says, “Hope and fear cannot occupy the same space. Invite one to stay.”

It’s often said that in our culture the smiling face may be a hint at naivety and lack of intelligence, but in this we don’t consider the loss of humanity. In the words of Samuel Coleridge, “Friendship is a sheltering tree.” If we were to take the sense of friendship beyond those within our own circle and look outside of our individuality to the stranger, maybe there is also a friend? Schopenhauer defines the gift of genius as the discarding of our own personality, in order to “remain pure knowing subject, the clear eye of the world.’’ In Zadie Smith’s essay ‘Windows on the Will: Anomalisa’ she writes that Schopenhaeur believed that our suffering is a result of us focusing on our individuality. If we saw this ‘will’ as part of us all and, in displaying compassion to each other, we would become part of shared consciousness. We see clearly and understand more now of this sense of shared consciousness within the natural world. The conversation through the mycelium network between trees for instance and the nutritional support that they provide even to a ‘foreign’ tree in trouble are not dictated by their desire for individuality. This kindness is all around us in nature. My daughter recently visited the zoo, and she watched captivated as one monkey carefully removed the fleas from another. Does this counter the old mantra ‘it’s a dog eat dog world’?

Nature itself can seem cruel with the predator and the hunted, but there are many other aspects of nature that show cooperation, such as intertwining fungal networks. Maybe, like nature, we are dealing with differing degrees of sophistication in our understanding of how to behave, but as humans we have a choice. We can draw from what we might perceive as higher intelligence and the basic joy that comes from the essence of kindness, which is, really, a small act of everyday love. In so many ways our cultural norms are governed by a sense of efficiency and the need to make the most of each minute, whether through experiences (like those set out in the infamous ‘bucket list’), or through work and other tangible achievement that makes us feel accomplished in some way. This pressure is somewhat elevated by the telephones in our pockets, drawing us away from what we can see right in front of us. Whilst we have a twenty four hour ‘friend’ in our pocket, we cannot but not miss the news headlines full of increased anxiety and loneliness, in spite of the deep privilege we are afforded in the West.

The contemporary Indian folk artist Raghu Dixit’s new album Shakkar is based on a time when Dixit felt suicidal and “stripped of the desire to live.” The piece that begins this album is about a make-believe sugar fairy called Shakkarpan who he says, “walked him back to life.” The song of the fairy is about how she brings joy and smiles to people just “because.” Dixit grew out of the sadness back to embracing a childlike innocence. In this album, he wrote a series of songs about simple acts of kindness, for example, a song about the school girl that stole sugar to redistribute it to those who had never tasted sweetness.

Perhaps our loss of childhood innocence is further exacerbated by the way we form our relationships. This has changed so much, through such phenomena as dating apps, so many ways a bit like verifying your identity for a bank account to be assessed by some fairly cold criteria on what makes another person acceptable. We’ve all been part of those conversations at dinner or a party, in which we asked “so what is it that you do.” This could simply be a way of understanding another’s interests, but it’s also fuelled with the potential of commodifying the worth of another. How easy it is to not really take the time to know this person, rather a bit like scrolling just pass onto the next.

There is, however, hope in the very essence of being reminded of kindness, trying to remove our prejudices, fears of the ‘other’ and being present in that moment of being kind. If one is still skeptical with what might be perceived as sentimentality, we can take heart in the words of psychiatrists like Dr Ishok of Cedar Sinai who says that kindness is beneficial to our brain both as a mood regulator but a management of conditions such as depression and anxiety. He says that the daily practice of kindness, “helps us feel better and helps those that receive them. We are building better selves and better communities at the same time.”

Sometimes urban living can take its toll on a person’s belief in kindness, in part as everyone is under so much pressure and the currency of time is such a precious commodity in a world built on busy-ness. Yesterday as I was considering kindness and its many facets, I was gifted a coffee for no reason other than a simple act of spontaneous generosity. As Alexander Pope says, “hope springs eternal in the human breast.” Kindness is a lot like lighting a fire, as it catches it grows and spreads both its light and warmth, a symbolic picture of what our small acts of kindness might be.

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Read about the many well-being benefits of wood-burning stoves and how they can inspire kindness

 

charnwoodstoves

The allure of a crackling fire is undeniable. It’s more than just warmth; it’s a comforting ambience that adds character and charm to any home. If you’re considering a wood-burning stove for your space, a 5kW model might just be the perfect fit. Let’s explore why.

Choosing the perfect 5kW stove

A 5kW wood-burning stove is ideal for smaller to medium-sized living spaces. To ensure the perfect fit, measure your room and use our handy Stove Calculator. For further expert advice, consult an official Charnwood dealer.

Remember, safety as well as aesthetics are key when choosing a location. Use a HETAS-registered installer to install your stove correctly and consider factors like chimney access and fuel storage.

The benefits of a Charnwood stove

Well-being: A 5kW stove provides ample heat for smaller to medium-sized living spaces, creating a warm and inviting atmosphere that improves well-being.

Ultra Low Emissions: Charnwood leads the way in wood-stove technology and produces some of the cleanest stoves on the market today – providing even better performance than EcoDesign.

Cost-Effective: Wood is a renewable resource, and burning it in a modern stove can be a cost-effective heating solution, particularly at a time of volatile energy prices.

Independence: A wood stove offers a degree of independence from the grid, providing a reliable heat source during power cuts and supporting gaps in supply from other green technologies such as solar panels.

Right to repair: All Charnwood stoves come with the right to repair and we have an extensive spares shop. You can also register for our 10-year Guarantee.

Charnwood’s 5kW collection

At Charnwood, we offer a range of 5kW stoves to suit various tastes and home styles. From classic designs to contemporary models, there’s a Charnwood stove to complement your living space. Each model is crafted with the highest precision and designed to maximise heat output and efficiency. Here are five of our favourite 5kW stoves:

Aire 5

 

The Charnwood Aire 5 delivers a comfortable 2-5kW of heat to the room with a crystal clear burn and remarkable controllability. Deliberately designed to maximise the view of the fire the minimal styling of the Aire fits comfortably into virtually any fireside situation whether it be freestanding or within a traditional fireplace. Learn more here

Arc 5 

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The Charnwood Arc 5 produces between 2-7kW of heat with a rated output of 5kW. Operated by one single air control the combustion system drastically reduces emissions and gives a superior flame pattern. The Arc’s pared down simplicity makes for a thoroughly stylish option for modern urban settings as well as more traditional homes. Learn more here

C-Five

 

The stove is fire brick lined and in certain situations, can be installed without the need for external air due to its rated output of 5kW. This stove meets Clean Air Act requirements for smoke control exemption; allowing wood to be burnt in smoke control areas. Learn more here

Country 4 Blu

 
wood burning stoves

A neat, sturdy, yet graceful little fire and with a rated output of 5kW can be installed in certain situations without the need for external air. The single door gives a complete and clear view of the fire and features a spinning primary air wheel for optimum control over the burning rate.

In spite of its size, the Country 4 takes a decent sized log length of 332mm (13”), making it a very popular choice in the small stove market. The stove is available in a choice of eight Charnwood colours and finished with touches of solid brass and a turned wooden door handle. Learn more here

Cranmore 5

 

This latest stove collection takes inspiration from the Regency era with a single framed glass door and archetypal detailing. The pleasing proportions of the Cranmore make it well suited to a traditional fireplace and with a large picture window it is an ideal replacement for an open fire. The stove can also work equally well in a freestanding situation. Learn more here

Maintaining your stove for optimal performance

The key to enjoying your wood-burning stove safely and efficiently is using dry, seasoned wood. This significantly reduces creosote buildup and other emissions as well as saving you money.

However, to enjoy the full benefits of your 5kW stove, regular maintenance is also essential. This includes cleaning the glass, removing ash, and having your chimney swept annually. For more complex tasks or anything you feel unsure of, consult a qualified stove engineer.

For an extensive spring cleaning guide click here!

Sorted summer

In the world of wood-burning stoves, things get really busy from Autumn onwards. So the summertime is a perfect time to prepare yourself and ensure you’re warm and cosy this winter!

Visit your nearest Charnwood retailer to explore our 5kW range and discover the perfect stove for your home.

charnwoodstoves

Dammy Ponnuthurai’s next essay explores The Language of Objects.

He has filled them with skill to do all kinds of work as engravers, designers,
embroiderers in blue, purple and scarlet yarn and fine linen, and weavers—all of them
skilled workers and designers. Exodus 35:35

When I walk around my local neighbourhood, my eye is often caught by left objects atop walls or steps. These can range from toys to books to Tupperware and all the familiar bric-a-brac that makes up the tapestry of our daily experiences. We can perhaps imagine what stories these objects might tell us. The tactility, placement and presence of objects hold a language of their own. Our first steps in the world without the immediate use of language can be witnessed in the gestures of small infants as they chew, lick and pick up any object around them. We ascertain that some objects are more favourable to them than others, simply by perception, but without any confirmation through language from the child.

In his TED Lecture ‘The Secret Language of Objects’, academic, designer and consultant Craig Sampson, shares his belief that objects in themselves create subroutines, (1) a term most commonly used in computer engineering, in which objects themselves define and evolve the way we interact. Taking simple everyday items like the door knob which was invented only within the last hundred years, he explains that we use our multitude of senses when we approach even the simplest of everyday objects, such as, say with a pen that we click to release the nib: do we see, hear or feel this interaction? This multi-sensory method of engaging with objects, Sampson suggests, creates a language of its own, communicated in part by the designers of these objects whose work informs not only function but their own sensibilities.

If we accept this notion that objects create their own language, maybe we can understand why they take on such meaning in our lives. This meaning ascribes to holding longevity, as they connect to the multisensory nature of memory itself. In the book Handbuilt, by Potter Lilly Maetzig, she describes this vividly in a memory of eating porridge with her grandparents in New Zealand. “I felt as though we were digging for treasure. Each spoonful was an uncovering, one bite closer. At the bottom of the shallow bowl was the stark blue and white icon that I know as the willow pattern. It was the fact that I was able to eat off the willow pieces that I found so enticing and special.”

(1) COMPUTING a set of instructions designed to perform a frequently used operation within a program.
 

We find so many of our memories are formed around what may simply be described as perfunctory or material objects. There is a sense that objects, though themselves without language, can openly communicate. The setting of a fire, for example, invokes not only a feeling of warmth but changes the whole atmosphere of the moment. Objects like wood-burning stoves go beyond their functional purpose; they work to frame and change our daily experiences. The experience of the three bears in the fairy story Goldilocks saw them suspecting an uninvited visitor simply by nudges in the placement of their seating arrangements, rather than the disappearance of the porridge itself. In nature, we see the careful arrangement of say the Coots’ nest and the protective gestures by the mother and father as one guards the nest and the other collects added layers of comfort. Whilst we may not understand the language of birds, we can see that the interaction of coots passing each other twigs as a clear sign of building their home.

The language of objects can also be used as a form of protest to represent identity. In Ahmedabad, Mahatma Gandhi wove Khadi, a handspun and handwoven fabric. Gandhi believed that Khadi was not just a fabric but a means to connect the people of India to their roots, to the rural villages, and to the dignity of labour. Today we face a global refugee crisis that raises many questions about identity and currently affects 170 million people who are globally displaced. One story captured on the 21st of June for World Refugee Day is that of a woman who, out of all her possessions, chose to save her tea set. When asked why she saved that in particular, she replied that it meant that she might one day be able to share tea with others. The study indicates that refugees show the greatest kindness and human empathy and through the stripping back of every sense of home; it’s a testament to this empathy that the sharing of tea informed her decisions of which object to save.

Our deep connection with the objects we surround ourselves with is reflected by Potter Steve Harrison, who believes that an eclectic collection of objects allows for a richness not found in the uniformity of object collection. “For me, using a variety of exquisite and special objects every day creates a richness born from a feeling of familiarity and becomes something I cannot live without. An eclectic mix of pots brought together out of necessity allows for individual pieces to take on a special meaning, not through any intent, but simply because it happened that way. Change occurs when you see the same thing with infinite possibilities. Only through using them freely and without concern can their beauty be revealed. Picasso said ‘Appreciate objects and eat them alive’”